It seems to me that too many young people who see themselves
as on the road to becoming professional singers would be better served if they
found a road that better suits them, or simply make a bargain with themselves
to concern themselves with learning to sing for the sheer pleasure of singing
and see what happens.
Youngsters and their support contingent tend to be ill-informed and confused or blinded by the notion that anybody, especially their anybody, has what it takes to make it big. They think that assembling a team of voice teachers and coaches (especially those whose charges have seen major success), recording a demo, auditioning for a TV talent contest and making the right connections are the keys to success. While I believe much of the so-called talent we hear and see is fabricated in this way from the outside instead of developed from the inside, and it may well be that the up-and-comers can make names for themselves by being packaged, produced and auto-tuned with little skill to show for it, the formula performers do not transcendent, unique singing musicians necessarily make. And the greater numbers of youngsters taking on the task of learning to sing and, more to the point for them, attaining fame, are destined to fail.
I remember sharing a lunch not too many years ago with a rather fine singer and instrumentalist who had toured internationally with a well-known group. He was opening a voice studio in his area. He hadn’t officially taught voice before, though his background, lineage of teachers, and exceptional skill level and intuitive nature set him up to be a fine voice teacher. During our lunch, he rather innocently made a comment about some of the singers with whom he had begun to work. He expressed wonderment over their objectives, since they had none of the inherent attributes of a singer in the making or otherwise. It was a, “What do they think they can do with this?” moment. The gentleman and his area of the country shall remain nameless to protect both of us.
The bottom line is that people who are meant to be singing
musicians in the most genuine sense, have certain things going for them. Forget
about the pre-packaged pop divas and divos for a moment. What follows is my
description of the singing musician, subject to further additions, upgrades and
edits.
Singers who are musicians are compelled to make music.
Singers who are musicians are driven by the desire to sing and play – even in
the absence of an audience. Singers who are musicians make music all the time,
everywhere and anywhere. Singers who are
musicians are curious about old styles, new styles, and are always looking for
ways to infuse their music with something different, something more.
Singers who are musicians have music spilling from them. It
spills over to writing music – which, done properly, requires learning about
the structure of music. It translates to playing an instrument to support their
singing and just because the temptation to make music by doing something other
than and in addition to singing is strong in a singing musician.
Singers who are musicians are like kids in a candy store
when it comes to all things related to singing – visiting a music store, viewing
a chart, hearing a new song and imagining it in their own voice, actively
seeking other singers to listen to and being inspired by their sounds.
Singers who are musicians are daring. Singers who are
musicians are curious. They are inventive.
Singers who are musicians make sounds in less than ideal
places, in less than ideal conditions, and under less than ideal circumstances.
They can’t be kept down.
Singers who are musicians are driven to understand their
instrument, the voice, and to care for the thing that conveys their inner being
to the outside world. Singers who are musicians pay attention to and learn from
sources of information, such as books, magazines, forums for singers and the
like.
Singers who are musicians often don’t realize how competent
they are. But there is a difference between turning from a duckling into a
swan, unaware, and feigning modesty – which is indicative of an unbalanced ego.
What we too easily refer to as shyness is usually fear
cloaked in embarrassment over something that has not yet happened, and that is
unlikely to happen the way the fearful person envisions it. What is the worst
that can happen? Does it even faintly resemble the end of the world? Does it
mean the end of the beginning of a career? The answer is, of course, no. A
singing musician meets the fear fearlessly.
Singers who are musicians don’t care what the rest of the
world thinks of their level of competence. They are singing musicians,
regardless.
Singers who are musicians train, and train, and train.
Singers who are musicians find a way.
Like any artists, singers who are musicians are not
necessarily motivated by or trapped by social and cultural norms or current
modes and trends. There is a difference between behaving outrageously, however,
and appearing to be outrageous to others because of a behavior or expression
that emanates, organically, emotionally, spiritually, intellectually, or
otherwise, from within.
Singers who are musicians, like other artists, might seem to
move through the world at a slower or ‘other’ speed than their non-artist
counterparts. Some singing musicians might seem to be detached, removed,
distant, unfriendly or otherwise socially lacking. Frequently they are
misunderstood. Because they are always working, and learning and growing, they
may be labeled nerds, or misfits. They become cool, popular, in demand, when
their artistry is sufficiently developed and becomes evident.
That Malcolm Gladwell 10,000 hour thing? (The book is
titled, Outliers: The Story of Success.) No-brainer. But a singing musician
doesn’t sigh over the thought of the long road ahead, or waste any time
counting to 10,000. They are too excited about and busy making music.
Sure. Singers who are musicians are often frustrated. They
might worry about the future. They might experience tiny standstills. But they
are not allergic to hard work. They know that hard work is the path. They are
challenged by mistakes, of which there are none, by the way. Though they may be
temporarily sidelined by poorly-delivered criticisms, they soon meet such
rejection with rekindled inspiration. “Never
say die!” is the unspoken motto of one who is determined to be a singing
musician.
Singers who are musicians entertain regular crises of
confidence. But they will kick themselves in the rear end and move forward – or
they are not singing musicians.
The crises always stem from some important business that the
singer is not taking care of. The crisis of confidence always comes from
within, not from the outside, and overrides the higher thought, action,
purpose. It is the singing musician’s responsibility, because no one else can
or will solve this for the singer, to replace the crisis with better energy –
or quit.
If that last sentence stung you, you might be a singing
musician. For you, quitting is not an option.
Singing musicians don’t make excuses. They make progress. They
make music.
Singing musicians come in all shapes, sizes and
personalities, like all other people. While it would be nice for a singing
musician to be a wonderful example of a human being, that is not always the
case. But, realizing that being a successful singing musician is highly
dependent upon working fluidly within the greater community of musicians, and
dependent upon building positive relationships with those who might help along
the way, the singing musician is best served by endeavoring to become a
wonderful example of a human being. However, the singing musician who wastes time
worrying about the world’s perception of them and trying to conform is, well,
wasting time, etc., etc.
Mel Tormé and Nat King Cole were two examples of fine
contemporary singing musicians of their time. Those who are too young to have
heard of Tormé may know The Christmas Song (Chestnuts roasting on an open
fire…). Tormé composed the tune and co-wrote the lyrics. In this YouTube
example of absolute singing musicianship, Tormé sings and accompanies himself
at the piano. Later in the clip, Tormé plays the drums while Nat King Cole plays
some marvelous piano with his trio and another singer, June Christy.
Pre-teen and teen singers considering auditioning for the
various performing arts schools, take note. Increasingly, schools are asking
what other instrument you play. If the
thought of learning an instrument strikes you as tedious, might cut into your
social or texting time or interfere with soccer, too many theatrical auditions
or other activities, you might want to consider an alternate major.
You may now resume singing. Do your exercises. Make
exercises of your songs before you add polish. Think time and study time are as
important as is actual application time. I applaud you very loudly in absentia.